Aula Aberta | Conferência no âmbito do Seminário "Temas de Filosofia das Artes" do Doutoramento em Filosofia Prática

Aula Aberta

Conferência no âmbito do Seminário "Temas de Filosofia das Artes" do Doutoramento em Filosofia Prática

Global Meaning of Art in the Modern Era and Limits of Artistic Freedom.

On Jan Patočka’s Philosophy of Art

FELIX BORECKÝ -   Ph.D., Faculty of Humanities, Charles University in Prague

5 de Abril de 2025 | 10:00h – 13:00h | sala CES 119

participação online: https://videoconf-colibri.zoom.us/j/92720219281?pwd=6G6oMXjwruOcGAOgbE6chOj9Bc4NBz.1

Synopsis:

In his text ‘Art and Time,’ the Czech philosopher Jan Patočka (1907 – 1977) discusses the role of art in the modern, technologically advanced era, emphasising that art is the last spiritual activity that can still remind human beings of the ‘natural world’ and provide ‘global meaning.’ Unlike in pre-modern eras, however, art no longer expresses this global meaning as collectively binding; instead, it turns to individuals, encouraging them to articulate their own existential meaning.

Departing from Patočka’s reflections, the present lecture will deal with some of the following questions: If art has such a privileged position in modern society, what is the role of science and philosophy? Why has the role of art changed so fundamentally in the modern era, and why can the meaning that art expresses no longer be collectively shared? Patočka describes modern art as an activity of contemporary human beings, “the whole of which is evidence of our spiritual freedom, authentic evidence ex definitione.” (p. 109) However, how does this authentic activity cope with the constraints and pressures produced by the modern world with its ideologies and overwhelming technologies?

(Texto mais desenvolvido em anexo)

Bio:

Felix Borecký (1981) estudou filosofia e estética na Faculdade de Letras da Universidade Carlos de Praga. Actualmente, é professor auxiliar na Faculdade de Ciências Humanas da mesma universidade. Os seus interesses estão enraizados na fenomenologia moderna, na hermenêutica e no estruturalismo, principalmente de origem checa e francesa. Centra-se na teoria da imaginação, na estética não artística, na estética da cultura popular, etc. É autor da monografia Imagination, a priori, depth. The Aesthetics of Mikel Dufrenne (Praga: Malvern Press, 2020).

Sugestão de leitura prévia, em anexo

Jan  Patočka  , “Art and Time”  

Organização da sessão

Jorge Croce Rivera e Inês Pereira Rodrigues (Departamento de Filosofia-ECS)