2024
Theatre Workshop I
Name: Theatre Workshop I
Code: ARC12600L
9 ECTS
Duration: 15 weeks/234 hours
Scientific Area:
Teatro
Teaching languages: Portuguese
Languages of tutoring support: Portuguese
Regime de Frequência: Presencial
Sustainable Development Goals
Learning Goals
The students will learn the fundamentals of acting technique, based on the Stanislavski System and his followers. The work should belong to the so called Psychologic Realism from A. Tchekov to our times.
The student will be introduced to the dramaturgical analysis as well as the aesthetical, cultural, social and historical background of the author and his/her work.
The work will connect the analysis of the main theory with its practical aplication.
The students will be able to recognize and practice the fundamentals of Stanislavskis lexic: objectives and super-objectiv; sub-scenes; motivations; sub-text; characterization; and characters defense et als.
His/Her work will devellop through techniques of improvisation and inter-acting.
It will be paramount that the students acquire the capacity to take directions, as na outcome of the dramaturgical and directorial approach.
The student will be introduced to the dramaturgical analysis as well as the aesthetical, cultural, social and historical background of the author and his/her work.
The work will connect the analysis of the main theory with its practical aplication.
The students will be able to recognize and practice the fundamentals of Stanislavskis lexic: objectives and super-objectiv; sub-scenes; motivations; sub-text; characterization; and characters defense et als.
His/Her work will devellop through techniques of improvisation and inter-acting.
It will be paramount that the students acquire the capacity to take directions, as na outcome of the dramaturgical and directorial approach.
Contents
1 The works context
2 Dramaturgical analysis and characterization
3 Analysis and practical exercises on Stanislavskis The Actors Work. Focusing on the techniques of concentration, relaxation, active analysis, super-objective, sub-scenes, physical actions, attention circles and characters objectives.
4- Interpretation of chosen scenes through improvisation
5 Blocking Rehearsals
6 Presentation/open class
2 Dramaturgical analysis and characterization
3 Analysis and practical exercises on Stanislavskis The Actors Work. Focusing on the techniques of concentration, relaxation, active analysis, super-objective, sub-scenes, physical actions, attention circles and characters objectives.
4- Interpretation of chosen scenes through improvisation
5 Blocking Rehearsals
6 Presentation/open class
Teaching Methods
Methodologies -Reading and dramaturgical analysis of the work, considering its aesthetical, social and semiotic aspects, Reading and comment of the work by C. Stanislavski An actor prepares, Scenic work: Psycho-physical warm-up; Exercises based on Stanislavskis techniques; Improvisations on the scenes; Text assimilation; Interpretation and blocking; Presentation/Open class
EVALUATION:
Class attendance, punctuality, and team spirit 20%
Commitment, evolution and creativity 20%
1- Quality of contribution to the dramaturgical analysis and written paper 10%
2- Presentation of improvised scenes 10%
3- Presentation with text 10%
4- Public presentation Open 20%
On the 3rd and 4th moments of evaluation the students will make a self-evaluation with the juris presence.
EVALUATION:
Class attendance, punctuality, and team spirit 20%
Commitment, evolution and creativity 20%
1- Quality of contribution to the dramaturgical analysis and written paper 10%
2- Presentation of improvised scenes 10%
3- Presentation with text 10%
4- Public presentation Open 20%
On the 3rd and 4th moments of evaluation the students will make a self-evaluation with the juris presence.
Teaching Staff
Certificações
